Public Domain Poetry And Stories - In Solitary Places by Madison Julius Cawein
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In Solitary Places

    By Madison Julius Cawein



I.

    The hurl and hurry of the winds of March,
    That tore the ash and bowed the pine and larch,
    Are past and done with: winds, that trampled through
    The forests with enormous, scythe-like sweep,
    And from the darkening deep,
    The battlements of heaven, thunder-blue,
    Rumbled the arch,
    The rocking arch of all the booming oaks,
    With stormy chariot-spokes;
    Chariots from which wild bugle-blasts they blew,
    Their warrior challenge.. .    Now the wind flower sweet
    Misses the fury of their ruining feet,
    The trumpet-thunder of resistless flight,
    Crashing and vast, obliterating light;
    Sweeping the skeleton cohorts down
    Of last year's leaves; and, overhead,
    Hurrying the giant foliage of night,
    Gaunt clouds that streamed with tempest. Now each crown
    Of woods that stooped to clamor of their tread,
    The frenzy of their passage, stoops no more,
    Hearing no more their clarion-command,
    Their chariot-hurl and the wild whip in hand.
    No more, no more,
    The forests rock and roar
    And tumult with their shoutings.. .    Hushed and still
    Is the green-gleaming and the sunlit hill,
    Along whose sides,
    Flushing the dewy moss and rainy grass
    Beneath the topaz-tinted sassafras,
    As aromatic as some orient wine
    The violet fire of the bluet glides,
    The amaranthine flame
    Glints of the bluebell; and the celandine,
    Line upon lovely line,
    Deliberate goldens into birth;
    And, ruby and rose, the moccasin-flower hides:
    Innumerable blooms, with which she writes her name,
    April, upon the page,
    The winter-withered parchment of old Earth,
    Her fragrant autograph that gives it worth
    And loveliness that takes away its age.

II.

    Here where the woods are wet,
    The blossoms of the dog's-tooth violet
    Seem meteors in a miniature firmament
    Of wildflowers, where, with rainy sound and scent
    Of breeze and blossom, soft the April went:
    Their tongue-like leaves of umber-mottled green,
    So thickly seen,
    Seem dropping words of gold,
    The visible syllables of a magic old.
    Beside them, near the wahoo-bush and haw,
    Blooms the hepatica;
    Its slender flowers upon swaying stems
    Lifting pale, solitary blooms,
    Starry, and twilight-colored, like frail gems,
    That star the diadems
    Of sylvan spirits, piercing pale the glooms;
    Or like the wands, the torches of the fays,
    That light lone, woodland ways
    With slim, uncertain rays:
    (The faery people, whom no eye may see,
    Busy, so legend says,
    With budding bough and leafing tree,
    The blossom's heart o' honey and honey-sack o' the bee,
    And all dim thoughts and dreams,
    That take the form of flowers, as it seems,
    And haunt the banks of greenwood streams,
    Showing in every line and curve,
    Commensurate with our love, and intimacy,
    A smiling confidence or sweet reserve.)
    There at that leafy turn
    Of trailered rocks, rise fronds of hart's-tongue fern:
    Fronds that my fancy names
    Uncoiling flames
    Of feathering emerald and gold,
    That, kindled in the musky mould,
    Now, stealthily as the morn, unfold
    Their cool green fires that burn
    Uneagerly, and spread around
    An elfin light above the ground,
    Like that green glow
    A spirit, lamped with crystal, makes below
    In dripping caves of labyrinthine moss.
    And in the underwoods, around them, toss
    The white-hearts with their penciled leaves,
    That 'mid the shifting gleams and glooms,
    The interchanging shine and shade,
    Seem some vague garment made
    By unseen hands that weave, that none perceives;
    Pale hands that work invisible looms,
    Now dropping shreds of light,
    Now shadow-shreds, that interbraid
    And form faint colors mixed with frail perfumes.
    Or, are they fragments left in flight,
    These flowers that scatter every glade
    With windy, beckoning white,
    And breezy blowing blue,
    Of her wild gown that shone upon my sight,
    A moment, in the woods I wandered through?
    April's, whom still I follow,
    Whom still my dreams pursue;
    Who leads me on by many a tangled clue
    Of loveliness, until, in some green hollow,
    Born of her fragrance and her melody,
    But lovelier than herself and happier, too,
    Cradled in blossoms of the dogwood-tree,
    My soul shall see
    White as a sunbeam in the heart of day
    The infant, May.

III.

    Up, up, my Heart, and forth, where none perceives!
    'T was this that that sweet lay meant
    You heard in dreams.
    Come, let us take rich payment,
    For every care that grieves,
    From Nature's prodigal purse.'T was this that May meant
    By sending forth that wind which 'round our eaves
    Whispered all night. Or was 't the Spirit who weaves,
    From gold and glaucous green of early leaves,
    Spring's radiant raiment?
    Up, up, my Heart, and forth, where none perceives!
    Come, let us forth, my Heart, where none divines!
    Into far woodland places,
    Where we may meet the fair, assembled races,
    Beneath the guardian pines,
    Of God's first flowers: poppy-celandines,
    And wake-robins and bugled columbines,
    With which her hair, her heavenly hair she twines,
    And loops and laces.
    Come let us forth, my Heart, where none divines!
    Forth, forth, my Heart, and let us find our dreams,
    There where they haunt each hollow!
    Dreams, luring us with Oread feet to follow,
    With flying feet of beams,
    Fleeter and lighter than the soaring swallow:
    Dreams, holding us with Dryad glooms and gleams;
    With Naiad looks, far stiller than still streams,
    That have beheld and still reflect, it seems,
    The God Apollo.
    Forth, forth, my Heart, and let us find our dreams!
    Out, out my Heart! the world is white with spring.
    Long have our dreams been pleaders:
    Now let them be our firm but gentle leaders.
    Come, let us forth and sing
    Among the amber-emerald-tufted cedars,
    And balm-o'-Gileads, cottonwoods, a-swing
    Like giant censers, that from leaf-cusps fling
    Balsams of gummy gold, bewildering
    The winds their feeders.
    Out, out, my Heart! the world is white with spring.
    Up, up, my Heart, and all thy hope put on!
    Array thyself in splendor!
    Like some bright dragonfly, some May-fly slender,
    The irised lamels don
    Of thy new armor; and, where burns the centre,
    Refulgent, of the widening rose of dawn,
    Spread thy wild wings! and, ere the hour be gone,
    Bright as a blast from some bold clarion,
    Thy Dream-world enter!
    Up, up, my heart, and all thy hope put on!

IV.

    And then I heard it singing,
    The wind that kissed my hair,
    A song of wild expression,
    A song that called in session
    The wildflowers there up-springing,
    The wildflowers lightly flinging
    Their tresses to the air.
    And first the bloodroot-blooms of March
    In troops arose; each with its torch
    Of hollow snow, within which, bright,
    The calyx grottoed golden light.
    Hepatica and bluet,
    And gold corydalis.
    Rose, swaying to the aria;
    While phlox and dim dentaria
    In rapture, ere they knew it,
    Oped, nodding lightly to it,
    Faint as a first star is.
    And then a music, to the ear
    Inaudible, I seemed to hear;
    A symphony that seemed to rise
    And speak in colors to the eyes.
    I saw the Jacob's-Ladder
    Ring violet peal on peal
    Of perfume, azure-swinging;
    The bluebell slimly ringing
    Its purple chimes; and gladder,
    Green note on note, the madder
    Bells of the Solomon's-seal.
    Now far away; now near; now lost,
    I saw their fragrant music tossed,
    Mixed dimly with white interludes
    Of trilliums starring cool the woods.
    Then choral, solitary,
    I saw the celandine
    Smite bright its golden cymbals;
    The starwort shake its timbrels;
    The whiteheart's horns of Faery,
    With many a flourish airy,
    Strike silvery into line.
    And straight my soul they seemed to draw,
    By chords of loveliness and awe,
    Into a Faery World afar,
    Where all man's dreams and longings are.

V.

    Then the face of a spirit looked down at me
    Out of the deeps of the opal morn:
    Its eyes were blue as a sunlit sea,
    And young with the joy of a star that has just been born:
    And I seemed to hear, with my soul, the rose of its cool mouth say:
    "Long I lay; long I lay,
    Low on the Hills of the Break-of-Day,
    Where ever the light is green and gray,
    And the gleam of the moon is a silvery spray,
    And the stars are glimmering bubbles:
    Now from the Hills of the Break-of-Day.
    I come, I come, on a rainbow ray,
    To laugh and sparkle, to leap and play,
    And blow from the face of the world away,
    Like mists, its cares and troubles."

VI.

    And now that the dawn is everywhere
    Let us take this road through this wild green place,
    Where the rattlesnake-weed shows its yellow face,
    And the lichens cover the rocks with lace:
    Where tannin-touched is the wild free air,
    Let us take this path through the oaks where thin
    The low leaves whisper, "The day is fair, "
    And waters murmur, "Come in, come in!
    Where the wind of our foam can play with your hair
    And blow away care."
    Berry blossoms that seem to flow
    As the winds blow;
    Blackberry blossoms swing and sway
    To and fro
    Along our way,
    Like ocean spray on a breezy day,
    Over the green of the grass as foam on the green of a bay
    When the world is white and green with the white and the green of May.
    And here the bluets blooming
    Make little eyes at you;
    O'er which the bees go booming,
    Drunk with the honey-dew.
    O slender Quaker-ladies,
    O star-bright Quaker-ladies,
    With eyes of heavenly blue,
    With eyes of azure hue,
    Who, where the mossy shade is,
    Hold quiet Quaker-meeting,
    Are these your serenaders?
    Your gold-hipped serenaders,
    Who, humming love-songs true,
    And to your eyes repeating
    Soft ballads, stop to woo?
    Then change to ambuscaders,
    To gold galloonéd raiders,
    And rob the hearts of you,
    The golden hearts of you.
    And here the bells of the huckleberries toss, so it seems, in time,
    Delicate, tenderly white, clumped by the wildwood way,
    Swinging, it seems, inaudible peals of a dew clustered rhyme,
    Visible music, dropped from the virginal lips of the May,
    Crystally dropped, so it seems, blossoming bar upon bar,
    Pendent, pensively pale, star upon hollowed star.

VII.

    The dewberries are blooming now;
    The days are long, the nights are short:
    Each dogwood and each black-haw bough
    Is bleached with bloom, and seems a part,
    Reflected palely on her brow,
    Of dreams that haunt the Year's young heart.
    But this will pass; and instantly
    The world forget the spring that was;
    And underneath the wild-plum tree,
    'Mid hornet hum and wild-bee's buzz,
    Summer, in dreamy reverie,
    Will sit, all warm and amorous.
    Summer, with drowsy eyes and hair,
    Who walks the orchard aisles between;
    Whose hot touch tans the freckled pear,
    And crimsons peach and nectarine;
    And in the vineyard everywhere
    Bubbles with blue the grape's ripe green.
    Where now the briers blossoming are
    Soon will the berries darkly glow;
    Then summer pass: and, star on star,
    Where now the grass is strewn below
    With blossoms, soon, both near and far,
    Will lie th' obliterating snow.
    The star-flower, now that discs with gold
    The woodland moss, the forest grass,
    Already in a day is old,
    Already doth its beauty pass;
    Soon, undistinguished, with the mould
    'T will mingle and will mix, alas!
    The bluet, too, that spreads its skies,
    Diminutive heavens, at our feet;
    And crowfoot-bloom, that, with orbed eyes
    Of amber, now our eyes doth greet,
    Shall fade and pass, and none surmise
    How once they made the Maytime sweet.

VIII.

    But still the crowfoot trails its gold
    Along the edges of the oak wood old;
    And still, where spreads the water, white are seen
    The lilies islanded between
    The pads 'round archipelagoes of green;
    The jade-dark pads that pave
    The water's wrinkled wave,
    In which the warbler and the sparrow lave
    Their fluttered breasts and wings;
    Preening their backs, with many twitterings,
    With necks the moisture streaks;
    Then dipping deep their beaks,
    To which some bead of liquid coolness clings,
    As bending back their mellow throats
    They let the freshness trickle into notes.
    And now you hear
    The red-capped woodpecker rap close and clear;
    And now that acrobat,
    The yellow-breasted chat,
    Chuckles his grotesque music from
    Some tree that he hath clomb.
    And now, and now,
    Upon a locust bough,
    Hark how the honey-throated thrush
    Scatters the forest's emerald hush
    With notes of golden harmony,
    Taking the woods with witchery
    Or is 't some spirit none may see,
    Hid in the top of yonder tree,
    Who, in his house of leaves, of haunted green,
    Keeps trying, silver-sweet, his sunbeam flute serene?

IX.

    Again the spirit looked down at me
    Out of the sunset's ruin of gold;
    Its eyes were dark as a moonless sea,
    And grave with the grief of a star that with sorrow is old:
    And I seemed to hear, with my soul, the flame of its sad mouth sigh:
    "Now good-by! now good-by!
    Down to the Caves of the Night go I:
    Where a shadowy couch of the purple sky,
    That the moon- and the starlight curtain high,
    Is spread for my joy and sorrow:
    Down to the Caves of the Night go I,
    Where side by side in mystery
    With all the Yesterdays I'll lie;
    And where, from my body, before I die,
    Will be born the young To-morrow."

X.

    And now that the dusk draws down you see,
    Tipped by the weight of a passing bee,
    The milkwort's spike of blue,
    Of lavender hue,
    Nod like a goblin night-cap, slim, sedate,
    That night shall tassel with the dew,
    Beneath its canopy of flowering rue.
    And now, as twilight's purple state
    Deepens the oaks' dark vistas through,
    The owlet's cry of"Who, oh, who,
    Who walks so late?"
    Drifts like a challenge down to you.
    Or there on the twig of the oak-tree tall,
    The gray-green egg in the gray-green gall,
    You, too, might hear if you, too, would try,
    Might hear it open; all tinily
    Split, and the little round worm and white,
    That grows to a gnat in a summer night,
    Uncurl in its nest as it dreams of flight:
    In the heart of the weed that grows near by,
    The little gray worm that becomes a fly,
    A green wood-fly, a rainbowed fly,
    You, too, might hear if you, too, would try,
    As a leaf-bud pushes from forth a tree,
    Minute of movement, steadily,
    As it feels a yearning for wings begin,
    Under the milk of its larval skin
    The silent pressure of wings within.
    The west grows ashen, the woods grow berylwan;
    The redbird lifts its plaintive vesper-song,
    Where faint a fox or rabbit steals along:
    And in some vine-roofed hollow, far withdrawn,
    The creek-frog sounds his deeply guttural gong,
    As dusk comes on:
    The water's gnarléd dwarf or gnome,
    Seated upon his temple's oozy dome,
    Calling the faithful unto prayer,
    Muezzin-like, the worshippers of the moon,
    The insect-folk of earth and air
    That join him in his twilight tune.
    Along the path where the lizard hides,
    An instant shadow the spider glides,
    The hairy spider that haunts the way,
    Crouching black by its earth-bored hole,
    An insect-ogre, that lairs with the mole,
    Hungry, seeking its insect prey,
    Fast to follow and swift to slay.
    And over your hands and over your face
    The cobweb brushes its phantom lace:
    And now from many a stealthy place,
    Woolly-winged and gossamer-gray,
    The woodland moths come fluttering,
    Marked and mottled with lichen hues,
    Seal-soft umbers and downy blues,
    Dark as the bark to which they cling.
    Now in the hollow of a hill,
    Like a glow-worm held in a giant hand,
    Under the sunset's last red band,
    And one star hued like a daffodil,
    The windowed lamp of a cabin glows,
    The charcoal-burner's, whose hut is poor,
    But ever open; beside whose door
    An oak grows gnarled and a pine stands slim.
    Clean of heart and of feature grim,
    Here he houses where no one knows,
    His only neighbors the cawing crows
    That make a roost of the pine's top limb;
    His only friend the fiddle he bows
    As he sits at his door in the eve's repose,
    Making it chuckle and sing and speak,
    Lovingly pressed to his swarthy cheek.
    And over many a root, through ferns and weeds,
    Past lonely places where the raccoon breeds,
    By many a rock and water lying dim,
    Roofed with the brier and the bramble-rose,
    Under a star and the new-moon's rim,
    Downward the wood-way leads to him,
    Down where the lone lamp gleams and glows,
    A pencil slim
    Of marigold light'under leaf and limb.

XI.

    Ere that small sisterhood of misty-stars,
    The Pleiades, consents to grace the sky;
    While yet through sunset's tiger-tawny bars
    The evening-star shines downward like an eye,
    A torch, Enchantment, in her topaz tower
    Of twilight, kindles at the Day's last hour,
    Listen, and you may hear, now low, now high,
    A voice, a spirit, dreamier than a flower.
    There is a fellowship so still and sweet,
    A brotherhood, that speaks, unwordable,
    In every tree, in every flower you meet,
    The soul is fain to sit beneath its spell.
    And heart-admitted to their presence there,
    Those intimacies of the earth and air,
    It shall hear words, too wonderful to tell,
    Too deep to interpret, of unspoken prayer.
    And you may see the things no eyes have seen,
    And hear the things no ears have ever heard;
    The Murmur of the Woods, in gray and green,
    Will lean to you, its soul a whispered word;
    Or by your side, in hushed and solemn wise,
    The Silence sit; and, clothed in glimmering dyes
    Of pearl and purple, herding bee and bird,
    The Dusk steal by you with her shadowy eyes.
    Then through the Ugliness that toils in night,
    Uncouth, obscure, that hates the glare of day,
    The things that pierce the earth and know no light,
    And hide themselves in clamminess and clay,
    The dumb, ungainly things, that make a home
    Of mud and mire they hill and honeycomb,
    Through these, perhaps, in some mysterious way,
    Beauty may speak fairer than wind-blown foam.
    Not as it speaks, an eagle message, drawn
    From starry vastness of night's labyrinths:
    Not uttering itself from out the dawn
    In egret hues; nor from the cloud-built plinths
    Of sunset's splendor, speaking burningly
    Unto the spirit; nor all flowery
    From cygnet-colored cymes of hyacinths,
    But from the things that type humility.
    From things despised: even from the crawfish there,
    Hollowing its house of ooze a wet, vague sound
    Of sleepy slime; or from the mole, whose lair,
    Blind-tunnelled, corridores the earth around,
    Beauty may draw her truths, as draws its wings
    The butterfly from the dull worm that clings,
    Cocoon and chrysalis; and from the ground
    Address the soul through even senseless things.
    For oft my soul hath heard the trees' huge roots
    Fumble the darkness, clutching at the soil;
    Hath heard the green beaks of th' imprisoned shoots
    Peck at the boughs from which the leaves uncoil;
    Hath heard the buried germ soft split its pod,
    Groping its blind way up to light and God;
    The mushroom, laboring with gnome-like toil,
    Heave slow its white orb through the encircling sod.
    The winds and waters, stars and streams and flowers,
    The earth and rocks, each moss-tuft and each fern,
    The very lichens speak. This world of ours
    Is eloquent with things that bid us learn
    To pierce appearances, and so to mark,
    Within the stone and underneath the bark,
    Heard through some inward sense, the dreams that turn
    Outward to light and beauty from the dark.

XII.

    I stood alone in a mountain place,
    And it came to pass, as I gazed on space,
    That I met with Mystery, face to face.
    Within her eyes my wondering soul beheld
    The eons past, the eons yet to come,
    At cosmic labor; and the stars, that swelled,
    Fiery or nebulous, from the darkness dumb,
    In each appointed place and period,
    I saw were words, whose hieroglyphic sum
    Blazoned one word, the mystic name of God.
    I walked alone 'mid the forest's maze,
    And it came to pass, as I went my ways,
    That I met with Beauty, face to face.
    Within her eyes my worshipping spirit saw
    The moments busy with the dreams whence spring
    Earth's loveliness: and all fair things that awe
    Man's soul with their perfection everything
    That buds and bourgeons, blossoming above,
    I saw were letters of enduring Law
    That bloomed one word, the beautiful name of Love.



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